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Categoría: Sin categoría
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BASURAMA
UrbanismoTres advocaciones de la crisis urbana a comienzos del s.XXI: “Tsunami Urbanizador”, “Ciudad-Basura” y Arquitecturas de Prestigio. Ramón López de LucioTextos del libro Distorsiones Urbanas- El arte en el desecho. Denise Scott Brown
- Distorsiones urbanas: de La Ciudad Desnuda a Sin City. John O´Reilly
- Nunca fue tan hermosa la basura. José Luis Pardo
- Revolución y contrarrevolución en la ciudad global.
Las expectativas frustradas por la globalización de nuestras ciudades. Jordi Borja - Espacio basura. Rem Koolhaas
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JungEun Kim
Magníficos dibujos animados!!!!!
http://jungeunkim.com/#142654/Adidas
http://jungeunkim.com/#142285/Stella-Artois
PSYOP -
NBDY
NBDY en issuu
NBDY es una propuesta artística de carácter híbrido y experimental desarrollada para un espacio escénico interactivo.
Dirigida por el artista visual Anto Rabzas e interpretada por la Cranämour butoh dance theater company -
The Third & The Seventh
The Third & The Seventh from Alex Roman on Vimeo.
A FULL-CG animated piece that tries to illustrate architecture art across a photographic point of view where main subjects are already-built spaces. Sometimes in an abstract way. Sometimes surreal.
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Inauguración "ENSOÑACIONES"
Denica Veselinova Sabeva
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NYC – MoMA: Design and the Elastic Mind – New City
New City, 2008
Peter Frankfurt (American, b. 1958) of Imaginary Forces (American, est. 1996)
Greg Lynn (American, b. 1964) of Greg Lynn FORM (American, est. 2001)
Alex McDowell (British, b. 1955) of Matter Art and Science (USA, est. 2001)New City, a Web-based virtual environment developed for this exhibition, is a laboratory for experiments in visualization, architecture, design, information, simulation, and experience. The citys is built on a manifold, a surface that forever folds onto itself, capturing endless dimesions of space and time.
Design and the Elastic Mind, on exhibit at the Museum of Modern Art from February 24-May 12, 2008, explores the reciprocal relationship between science and design in the contemporary world by bringing together design objects and concepts that marry the most advanced scientific research with attentive consideration of human limitations, habits, and aspirations. The exhibition highlights designers
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Copyright is for losers, Ninotchka Art Project
http://vimeo.com/moogaloop.swf?clip_id=2026149&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1
Copyright is for losers | The film from Ninotchka art project on Vimeo.
A partir de de la apropiación, manipulación y edición de una gran cantidad de imágenes y sonidos se construye una pieza nueva que cuestiona los límites del copyright y de la originalidad de la obra de arte. -
Mia Makela _ Visuals
http://vimeo.com/moogaloop.swf?clip_id=8836599&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1
GEHEIMNISSE EINER SEELE from mia makela on Vimeo.GEHEIMNISSE EINER SEELE – Showreel
Artistic Directors Mia Zabelka, Zahra Mani and Mia MakelaThe premiere of the GEHEIMNISSE EINER SEELE project took place at Vienna Konzerthaus on 6.10.2009 with the participation of following artists:
Mia Zabelka _ E-Violin, Voice, Electronics, Laptop
Zahra Mani _ Laptop, Contrabass
Franz Hautzinger _ Trompete
Manon-Liu Winter _ Piano
Martin Janicek _ Percussion
Mia Makela _ VisualsSYNOPSIS:
The Austrian director G.W. Pabst’s silent film «Geheimnisse einer Seele» (The Secrets of a Soul, 1926) is based on one of Sigmund Freud’s case studies. It was the first film that addressed psychoanalysis and combines abstract and surreal dream sequences with scenes from an everyday bourgeois world. The film grows out of this tension between two mutually exclusive worlds, which each threaten the existence of the other. The story and structure of the film provide a good starting point for music that exists on the boundaries between contemporary composed and improvised music.The video score, which Mia Makela will play live during the performance, consists of new combinations of shots, scenes, people, objects, places and sceneries from the original silent film. The complexity of the graphic material contributes to the psychological and visual complexity of the performance as whole, which merges the unmistakable aesthetics of expressionist silent film with the experimental adventures of contemporary sound and moving image composition and performance.
The visuals fulfill the function of a score for the one.night.band musicians, who «read» it from their video monitors and who as a sound body reflect the conscious and subconscious complexity of human existence, where the whole consists of individual parts, each complete, in some way self-contained yet always interactive and interdependent on the other elements. The essence of the ensemble lies in each individual member’s personal contributions to the sound, each individual background, thought process and way of playing.
The copyrights of the movie are granted for the project and the intertitles of the movie can be subtitled in English.
Anto Rabzas 